“Fight Club” is the most frankly and cheerfully fascist big-star movie since “Death Wish,” a…
“Close,” about two small-town Belgian boys who are as tight as brothers, is a devastating movie. But…
Creative work is always subject to some limits, but that encapsulation is often a powerful…
The nightmare begins with what seems like a reasonable if perhaps too casual, real estate…
There has been a curious trend toward veiled conservatism in romance films lately. Take last…
Brad Anderson’s “Blood” wants to serve as both a grisly horror thriller and an exercise…
“Shotgun Wedding” is a chocolate-covered cherry with liqueur inside. It starts as a glossy but merely serviceable romantic…
A modern attempt at something like “Guess Who’s Coming to Dinner” from the creator of…
Filmmaker Mia Hansen-Løve is a master chronicler of the everyday internal strife many of us…
Knowledge of the 1619 Project first piqued my attention in 2020, when I learned that…